INTERDISCIPLINARY PROJECTS:

• 2015   A Negotiable Utopia: The Humboldt Bay Project: (media publication)
• 2012   Humedales Artificiales: Three Transnational Wetlands: Arid: A Journal of Desert Art, Design and Ecology (media publication)
• 2010   Dual Citizenship and Border Patrol: Picturing Tijuana's Transnational Water: Water, CA: Creative Visualizations for a New Millennium (media publication)
• 2010   Infinite City: Poison/Palate (SFMOMA Live Art event with the Artists' Collective OPENwater): Alameda, CA
• 2008   Will Build to Suit: (drawings for SIMPARCH), Venice Architectural Biennale, Venice, Italy
• 2005   Dirty Water Initiative: (drawings and paintings for SIMPARCH), inSite_05, San Diego CA / Tijuana, B.C., Mexico
• 2002   The Landfill Interpretive Transect: (in collaboration with the Center for Land Use Interpretation), Los Angeles, CA

GRANTS AND RESIDENCIES:

• 2014   The Graham Foundation for Advanced Studies in the Fine Arts
• 2012   Half Life: Patterns of Change Residency: Santa Fe Art Institute, Santa Fe, NM
• 2011   Creative Ecologies: A Group Residency + Conversation: Headlands Center for the Arts, Sausalito, CA
• 2008   Djerassi Resident Artists Program: (James Irvine Foundation Honorary Fellowship), Woodside, CA
• 2004   Gunk Foundation Grant: (For the Cummings Road Landfill Project video installation)
• 2004   Artist’s Residency: Sweeney Granite Mountains Desert Research Center, University of California Riverside
• 2000   Artist’s Residency: The Center for Land Use Interpretation, Wendover, Utah

SELECTED SOLO EXHIBITIONS:

• 2016   Research & Desire: Videos and Paintings by Cynthia Hooper: The Haldan Art Gallery, Lake Tahoe Community College, South Lake Tahoe, CA
• 2015   Infrastructure Aesthetics: The Films of Cynthia Hooper (video screening): New York University, NY
• 2014   A Negotiable Utopia: The Humboldt Bay Project: Humboldt State University’s First Street Gallery, Eureka, CA
• 2013   Shifting Baselines (two person exhibition with Hugh Pocock): Santa Fe Art Institute, Santa Fe, NM
• 2012   Humedales Artificiales: Three Transnational Wetlands (video screening): Armory Center for the Arts, Pasadena, CA
• 2010   Opportunistic Vistas: The Films of Cynthia Hooper: The Center for Land Use Interpretation, Culver City, CA
• 2009   H2O: 373.15 K: Exposición de Aquareles de Cynthia Hooper: Centro Cultural Tijuana (CECUT), Tijuana, B.C., Mexico
• 2008   Opportunistic Vistas: Videos about Industry by Cynthia Hooper: College of the Redwoods, Eureka, CA
• 2006   La Morita Enamorada: Paintings and a Video Installation: Galeria La Casa de la Nueve, Tijuana, B.C., Mexico
• 2005   Provisional Communities: Bucheon Gallery, San Francisco, CA
• 2004   The Cummings Road Landfill Project: Cummings Road Landfill, Eureka, CA
• 2003   Landfill Projects: College of the Redwoods, Eureka, CA
• 2001   The Balloon Track Project / An Exploration of Misintentional Landscape Use: Humboldt State University’s First Street Gallery, Eureka, CA

SELECTED GROUP EXHIBITIONS:

• 2017   Infrastructuralisms (video screening): Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI

• 2016   Prácticas de Campo: Casa del Lago, Universidad Nacional Autónoma de México, Mexico City

• 2014   Border Film Week: Visions and Transmissions to Erase the Border: Trans-border Institute, University of San Diego, San Diego, CA
• 2014   Annual Faculty Exhibition: College of the Redwoods, Eureka, CA

• 2013   Bordocs Foro Documental (video screening): Universidad Autónoma de Baja California, Tijuana, B.C., México
• 2013   Works on Water: Marin Community Foundation, Novato, CA

• 2012   Water Week: (Curated by Karl Erickson), DUMBO Arts Center, Brooklyn, NY
• 2012   Wastestreams Film Salon: (Curated by Nance Klehm), Archeworks, Chicago, IL
• 2012   Delta Waters: Artists Address the San Joaquin Delta: LH Horton Gallery, San Joaquin Delta College, Stockton, CA
• 2012   Imperium Naturae: MIA (A Monthly Moving Image Art Screening Series): Armory Center for the Arts, Pasadena, CA
• 2012   HydroMemories: An Interdisciplinary Project on the Theme of Water: Museum of Natural History, Turin, Italy
• 2012   Food Shift: Interface Gallery, Oakland, CA

• 2011   Sarah Cowles' Elegantly Wasted Ditch-In Theater: Films by Deborah Stratman, Cynthia Hooper and Ursula Biemann (video screening): MASS MoCA
• 2011   Territorios de Infraestructura, Expansión, Educación y Conflicto (video screening): Museo de Arte Carrillo Gil, Mexico City
• 2011   Liquid Assets: Perspectives on Water, A Collaboration Between the Crocker Museum and Water, CA: Crocker Art Museum, Sacramento, CA
• 2011   Bordocs Foro Documental (video screening): Universidad Autónoma de Baja California, Tijuana, B.C., México
• 2011   Turf: Ecological Activism and Art: Diablo Valley College Art Gallery, Pleasant Hill, CA

• 2010   Asteroide B 162: Diseño Regenerativo y Balances Ambientales: Museo de Arte Moderno, Mexico City
• 2010   EcoArchive: Meditations on Time and Nature: Intersection for the Arts, San Francisco, CA
• 2010   Urban Wildlife: Downtown Film Festival Los Angeles (video screening): Los Angeles, CA
• 2010   Un..Schärfen des Dokumentarischen: Kunstfilmtag, Düsseldorf, Germany

• 2009   Field Reports: Documents and Strategies from Land Arts of the American West (video screening): Tyler School of Art, Philadelphia, PA
• 2009   Bordocs Foro Documental (video screening): San Diego State University

• 2008   Landscapes For Frankenstein (video screening): Sarah Meltzer Gallery, New York, NY
• 2008   Beobachtungen (video screening): Director’s Lounge, Berlin, Germany
• 2008   The Show Starts on the Sidewalk: Intervene! Interrupt! Rethinking Art as Social Practice (video screening): University of California, Santa Cruz
• 2008   Landscape, Nature & Space: Bucheon Gallery, San Francisco, CA
• 2008   T-10 Video Festival (video screening): 21 Grand Gallery, Oakland, CA
• 2008   Humboldt Film Festival (video screening): Humboldt State University, Arcata, CA
• 2008   Art Faculty Exhibition: College of the Redwoods, Eureka, CA

• 2007   Strange Relations: Armory Digital Forum, Armory Center for the Arts, Pasadena, CA
• 2007   Red Dot Fair: (with the Bucheon Gallery), New York, NY
• 2007   Artists Go Lightly: Temporary Autonomous Museum(s), San Francisco, CA
• 2007   Aqua Art Miami: (with the Bucheon Gallery), Miami, FL

• 2006   Plainer: A Contemporary Take on Landscape: the Torrance Art Museum, Torrance, CA
• 2006   Year_’06 Art Projects London: (with the Bucheon Gallery), London, England
• 2006   Deluge: A Group Watercolor Show: Bucheon Gallery, San Francisco, CA
• 2006   Nova Art Fair: (with the Bucheon Gallery), Chicago, IL

• 2005   Affair at the Jupiter Hotel: (with the Richard Heller Gallery), Portland, OR
• 2005   Aqua Art Miami: (with the Acuna-Hansen Gallery), Miami, FL
• 2005   Megabytes (video screening): Center for Contemporary Art, Santa Fe, NM
• 2005   Face Paint: Bucheon Gallery, San Francisco, CA
• 2005   -scope New York: (with the Bucheon Gallery), New York, NY
• 2005   Art LA Contemporary Art Fair: (with the Bucheon Gallery), Santa Monica, CA

• 2004   The Political Landscape: The Los Angeles Municipal Art Gallery, Los Angeles, CA
• 2004   Monumental (video screening): Southern Exposure Gallery, San Francisco, CA
• 2004   Frisbee Art Fair: (with the Bucheon Gallery), Miami, FL
• 2004   Pro Arts Juried Annual: Pro Arts Gallery, Oakland, CA

• 2003   -scope Los Angeles: (with the Bucheon Gallery), Los Angeles, CA
• 2003   San Francisco International Art Exposition: (with the Bucheon Gallery) San Francisco, CA
• 2003   Guidelines: The Ink People Center for the Arts, Eureka, CA
• 2003   AAF Contemporary Art Fair: (with the Bucheon Gallery), New York, NY

• 2002   Inventive Landscapes: Bucheon Gallery, San Francisco, CA
• 2002   June Show: Bucheon Gallery, San Francisco, CA
• 2002   Fresh Kills: Landfill to Landscape Finalist Proposals: The Municipal Art Society, New York, NY
• 2002   Art Chicago 2002: (with the Bucheon Gallery) Chicago, IL
• 2002   Relics and Other Scenarios: I-5 Gallery, Los Angeles, CA
• 2002   Disruptive Topographies: Bucheon Gallery, San Francisco, CA
• 2002   San Francisco International Art Exposition: (with the Bucheon Gallery) San Francisco, CA
• 2002   Reality Snap: Matrix Arts, Sacramento, CA
• 2002   AAF Contemporary Art Fair: (with the Bucheon Gallery), New York, NY

• 2001   Fresh Kills: Landfill to Landscape Finalist Proposals: Staten Island Institute of the Arts and Sciences, Staten Island, NY
• 2001   FFWD: Miami Contemporary Art Fair: (with the Bucheon Gallery), Miami, FL
• 2001   Disruptive Topographies: Humboldt State University’s First Street Gallery, Eureka, CA
• 2001   January Juried Show: Gallery Route One, Point Reyes Station, CA
• 2001   Art Faculty Exhibition: College of the Redwoods, Eureka, CA

• 2000   California Small Works 2000: Sonoma Museum of Visual Art, Santa Rosa, CA

• 1999   California Small Works ’99: Sonoma Museum of Visual Art, Santa Rosa, CA
• 1999   Art Faculty Exhibition: College of the Redwoods, Eureka, CA

• 1998   Serious Fun: Gallery Oboy, San Francisco, CA
• 1998   California Small Works ’98: Sonoma Museum of Visual Art, Santa Rosa, CA

RECENT PUBLIC LECTURES:

• 2016   University of San Francisco: The Unmonumental and Indeterminate: The New Commons of the Anthropocene, (lecture and video screening)
• 2014   Consilience: Artist Presentation Initiative: Los Angeles, CA (lecture and video screening)
• 2014   University of San Diego: Humedales Artificiales: Three Transnational Wetlands, (video screening and panel discussion)
• 2013   Santa Fe Art Institute, Santa Fe, NM: Humedales Artificiales: Three Transnational Wetlands, (lecture and video screening)
• 2012   Interface Gallery, Oakland, CA: Westlands: The Politics of Water and Agriculture in the San Joaquin Valley: A Discussion with artist Cynthia Hooper
• 2012   Humboldt State University's Biodiversity Conference, Arcata, CA: Anthropogenic Aquascapes: the Video Art of Cynthia Hooper, (lecture and video screening)
• 2012   Universidad Iberoamericana, Tijuana, B.C., Mexico: Humedales, Un Paisaje Que Desaparece, (lecture and video screening)
• 2012   San Joaquin Delta College, Stockton, CA: Delta Waters: Artists Address the San Joaquin Delta, (lecture and panel discussion)
• 2011   Political Equator 3, San Diego and Tijuana: Conversations on Co-Existence: Border Neighborhoods as Sites of Production, (lecture and video screening)
• 2011   Headlands Center for the Arts, Sausalito, CA: HydroAction: Water Quality, Biodiversity & Infrastructure, (lecture and video screening with artist Patricia Johanson)
• 2011   College of the Redwoods, Eureka, CA: Anthropogenic Aquascapes: Videos About Water and the Environment, (lecture and video screening)
• 2010   California State University Northridge: Adaptive Ecosystems in the Era of NAFTA: Tijuana's Informal Communities, (lecture and video screening)
• 2010   Universidad Autónoma de Baja California, Tijuana, B.C., México: Seminario de Arte Público: Urbe y Género, (video screening and panel discussion)
• 2010   Museum of Modern Art, Mexico City: The Main Outlet Drain Extension (the MODE) and Mexico’s Cienega de la Santa Clara (lecture and video screening)
• 2010   The Center for Land Use Interpretation, Culver City, CA: Independent Interpreter Lecture
• 2009   Bordocs Foro Documental, San Diego State University and the Institute of Culture, Tijuana: Video screening and panel discussion
• 2009   Sea and Space Explorations, Los Angeles, CA: Lecture and video screening in conjunction with the exhibition Through the Looking Glass: The Los Angeles Aqueduct
• 2009   College of the Redwoods, Eureka, CA: Dual Citizenship and Border Patrol: Picturing Tijuana's Contested, Transnational Water (lecture and video screening)
• 2009   Centro Cultural Tijuana (CECUT), Tijuana, B.C., Mexico: Doble Nacionalidad y Patrulla Fronteriza: El Agua en Pugna Transnacional (lecture and video screening)

EDUCATION:

• 1989   Master of Fine Arts: Painting, San Francisco Art Institute
• 1985   Bachelor of Arts: Studio Art, University of California at Berkeley

SELECTED BIBLIOGRAPHY:

• Timken, Kristin: The New Explorers: Making Meaning in the 21st Century American Landscape (with an introduction by Lucy Lippard), Conveyance Press, 2015
• Maughan, Tim: Letting Environmental Art Speak for Itself is No Longer Enough, (review) New Scientist, December 16, 2015
• Weidermann, Ken: A Bay in the Life of Humboldt: First Street Gallery Presents a Negotiable Utopia, (review) Northcoast Journal, October 2, 2014
• Kosky, Jeffrey: Arts of Wonder: Enchanting Secularity--Walter De Maria, Diller+Scofidio, James Turrell, Andy Goldsworthy, (illustrations), The University of Chicago Press, 2012
• HydroMemories: an Interdisciplinary Project on the Theme of Water, on-line publication, 2011
• Liquid Assets: Perspectives on Water (gallery guide) Crocker Art Museum, 2011
• Le Duc, Aimee: EcoArchive: Meditations on Time and Nature (review) Art Practical, December, 2010
• Barber, Jeremiah: Nature at the Intersection (review): KQED Arts, December 21, 2010
• Asteroide b612: Diseño Regenerativo y Balances Ambientales (exhibition catalog) Museum of Modern Art, Mexico City, 2010
• The Center for Land Use Interpretation's Lay of the Land Newsletter: "Cynthia Hooper: Expert Framer of Views Presents Her Work", Spring 2010 Issue
• Kennedy, Sarah: The Art of Effecting Change: Travels in Los Angeles, Part 1 (review) MoMA/P.S.1 Blog, June 7, 2010
• Ewart, Nancy: EcoArchive: Meditations on Time and Nature (review) San Francisco Examiner, December 14, 2010
• New American Paintings: (West Coast Edition), The Open Studios Press, 2008
• SIMPARCH with Steve Rowell: “Hydromancy” (illustrations), The University of Texas at El Paso, 2007
• Frank, Peter: Museum Pick: Plainer: a Contemporary Take on Landscape (review) The LA Weekly, March 9-16, 2006
• Ken Ehrlich & Brandon LaBelle: (cover image) Surface Tension Supplement No. 1, (Errant Bodies Press: 2006)
• Pagel, David: Our Place in the World (review) The Los Angeles Times, March 25, 2004, pp. E4-5
• Frank, Peter: Art Pick of the Week: The Political Landscape: City Dialogues (review) The LA Weekly, April 9-15, 2004
• Balzar, John: Landscape, honestly, (review) The Los Angeles Times, April 27, 2004, p. F5
• Korten, Noel: The Political Landscape, (catalog with essay), The Los Angeles Municipal Art Gallery, March-April 2004
• Alderson, Julia Louise: Nancy Holt and the Sculptural Lens (Ph.D. Thesis), Rutgers University, 2004
• Butler, Wendy: Cummings Road Landfill as Art?, (review), The Eureka Reporter, September 23, 2004, Arts Section
• Westbrook, Lindsay: Critic’s Choice: Disruptive Topographies, (review), The San Francisco Bay Guardian, January 30, 2002, p. 72
• Marden, Mark: Out and About, (review), The Bay Area Reporter, January 24, 2002, p. 34
• Almy, Katharine: Art and the Environment, (review), Annual Magazine of the Humboldt Arts Council, 2002, pp. 22-24
• Bentley, Jack: Disruptive Topographies, (brochure with essay) October, 2001
• Doran, Bob: Finding Beauty in the Blight: A Fresh Look at the Balloon Track, (cover story), The Northcoast Journal, Oct. 11, 2001, pp. 9-11
• Hunt, David: Serious Fun at Gallery Oboy, (review), Artweek, May issue, 1998, p. 21